Is the Chacter Donna Dead in Mamma Mia! Here We Go Again
- INSIDER spoke to "Mamma Mia: Here We Go Once again" director Ol Parker near the complicated "Dancing Queen" scene, which involved 14 boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't skilful dancers, so they inverse their choreography for the boat scene the night earlier shooting.
- Parker also confirmed why Meryl Streep'southward graphic symbol Donna was killed off for the sequel, and why the motion picture doesn't analyze how she died.
- "Mamma Mia: Here Nosotros Become Again" is bachelor on digital, DVD, Blu-ray, and On Demand now.
Ol Parker, the director of "Mamma Mia: Hither We Go Again," made the most delightful movie of the summer that audiences and critics loved.
INSIDER spoke to Parker leading upwardly to this calendar week's DVD, Blu-Ray, and On Demand release about the circuitous "Dancing Queen" sequence that involved 14 boats, and the decision to kill off the main character.
"Hither We Go Once more" tells two stories from two different fourth dimension periods. In the present, Donna, played by Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her daughter Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, set thirty years before, shows how Donna (played by Lily James) met Sophie's iii "dads," ultimately leading to Donna settling in Greece, meaning with Sophie.
Late in the film, Cher, who plays Donna's mother and Sophie'due south grandmother, shows upward on the isle and sings the iconic ABBA song "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker also told INSIDER how Meryl Streep'southward interest in doing the sequel with her character dead got the rest of the original bandage to do the movie. And some of them said yes without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you lot walk me through the procedure of making a sequel ten years later?
Ol Parker: There was e'er a massive desire for a sequel. The studio couldn't have wanted it more given how much money the original fabricated. But immediately, there was simply a struggle. Non every story needs some other chapter. So they couldn't really observe a proper version that actually made dramatic sense. And all of the cast, Meryl in detail — none of them wanted to do information technology. They were all very proud of the get-go ane and what it had achieved and how it had fabricated people feel. And so they didn't merely want to show up. Meryl was never going to do that.
Wittmer: Interesting. How did you get involved?
Parker: Considering they were desperate and I was cheap, I think. And I suggested that Meryl'southward character be dead in it, and that we make the motion picture at least in part virtually getting over the loss of her.
Wittmer: Did Donna existence expressionless make Meryl a little more into the thought of a sequel?
Parker: We talked to her about it, and she was delighted. The news that Meryl was in was vivid to the residual of the cast and brilliant for me, obviously, because they all committed straight away. Some of them without reading the script.
Wittmer: In the picture show you lot don't reveal how Meryl'due south character Donna died. Do you know how?
Parker: Yeah. And we included the cause in various unlike drafts. It's just if yous use the discussion "cancer," it kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] virtually how it had gone and how long information technology had taken for Donna to die, and we all felt that the characters had time to get used to it while it was happening. It wasn't sudden, it wasn't a drowning or something. So, something slow.
Wittmer: 1 thing I honey about "Hither Nosotros Go Again" is the use of some of ABBA's less pop songs, like "Andante, Andante" and "One of Us."
Parker: I basically did the movie to delight my mum.
Wittmer: Was information technology hard to pick what songs to utilise?
Parker: I mean, you can't do it without "Dancing Queen," and apparently the movie is called "Mama Mia." But when I showtime went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would love for the songs to serve the plot and bulldoze the plot." Then I merely thought if I just chose the all-time song for the drama rather than the most well-known song and then that would be neat. "I've Been Waiting For You" is very petty known, but I simply thought information technology was admittedly cute and I had the idea of Amanda singing it while Lily gives nascency. And Bjorn rewrote the lyrics very generously to brand it more connected to what yous're watching, which he also did at the cease with "My Love, My Life."
Wittmer: I didn't even detect the lyrics were rewritten. How did you incorporate "Fernando?"
Parker: I merely wanted the song. I mean, Andy [Garcia], his character Fernando was invented and then that Cher could turn to him and sing, "Fernando." He was invented in reverse for that moment. So unlike songs for dissimilar things. Merely in general, the thought was to endeavor and brand them drive the narrative a chip more like a musical than a jukebox musical.
Wittmer: There's a lot of complicated choreography in these musical sequences. I'm thinking specifically of "Dancing Queen," which involves many, many boats. What was it like to film that?
Parker: I was absolutely delighted, only horrified to exist offered the chore ii months after I'd handed in the script. Because information technology suddenly became my problem, having merrily written, "Yeah, fourteen boats, it's gonna be nifty! Fabulous!" So I find myself in a helicopter looking at 14 boats thinking, "Okay." Merely aye, information technology was complicated. My main manner of directing is to hire really practiced people so get out of the manner and allow them be brilliant. I had a really good team. They took really good care of me. And everyone was really committed and the actors were all in, as you can tell. And so it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: It's astonishing. I tin can't become Colin Firth and Stellan Skarsgård spooning each other on the boat out of my head.
Parker: Colin and Stellan were slightly worried nigh dancing, because they're non dandy at it. We were talking the night before shooting, and they'd apposite the dances on the gunkhole. But it but wouldn't have looked great. I was like, "merely hang from the rigging. Have fun. Just take fun." And they had a brawl. They were laughing all the way through it and it turned into an incredibly happy twenty-four hours for them, which is not what they were expecting. If they're having fun then we will. That was my hope, anyhow.
Read More:
12 surprising things y'all probably didn't know about the 'Mamma Mia' movies
And then AND NOW: The cast of 'Mamma Mia' 12 years afterward
Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10#:~:text=Parker%20also%20confirmed%20why%20Meryl,ray%2C%20and%20On%20Demand%20now.
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